Jumat, 30 Desember 2011

[J575.Ebook] PDF Ebook If It's Purple, Someone's Gonna Die: The Power of Color in Visual Storytelling, by Patti Bellantoni

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If It's Purple, Someone's Gonna Die: The Power of Color in Visual Storytelling, by Patti Bellantoni

If it's Purple, Someone's Gonna Die is a must-read book for all film students, film professionals, and others interested in filmmaking. This enlightening book guides filmmakers toward making the right color selections for their films, and helps movie buffs understand why they feel the way they do while watching movies that incorporate certain colors.

Guided by her twenty-five years of research on the effects of color on behavior, Bellantoni has grouped more than 60 films under the spheres of influence of six major colors, each of which triggers very specific emotional states. For example, the author explains that films with a dominant red influence have themes and characters that are powerful, lusty, defiant, anxious, angry, or romantic and discusses specific films as examples. She explores each film, describing how, why, and where a color influences emotions, both in the characters on screen and in the audience. Each color section begins with an illustrated Home Page that includes examples, anecdotes, and tips for using or avoiding that particular color.

Conversations with the author's colleagues-- including award-winning production designers Henry Bumstead (Unforgiven) and Wynn Thomas (Malcolm X) and renowned cinematographers Roger Deakins (The Shawshank Redemption) and Edward Lachman (Far From Heaven)--reveal how color is often used to communicate what is not said.

Bellantoni uses her research and experience to demonstrate how powerful color can be and to increase readers awareness of the colors around us and how they make us feel, act, and react.

*Learn how your choice of color can influence an audience's moods, attitudes, reactions, and interpretations of your movie's plot
*See your favorite films in a new light as the author points out important uses of color, both instinctive and intentional
*Learn how to make good color choices, in your film and in your world.

  • Sales Rank: #105255 in Books
  • Published on: 2005-06-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.25" h x 7.25" w x .50" l, 1.61 pounds
  • Binding: Paperback
  • 276 pages

Review
"In this book we are really watching movies through designer's eyes and what a refreshing examination it makes...Anyone with creative input into filmmaking will find this book a very useful guide in creating moods and emotions for an audience...This is the movie equivalent of having colour and its effect explained by Monet, it is that fresh and original...Anyone who works on a film set in any capacity will have their money's worth out of this movie colour guide for years to come." - www.ukfilmfinance.com

"Patti Bellantoni's If Its Purple, Someones Gonna Die has given us a highly entertaining exploration of the world of color and its impact on our emotions. Told through a careful analysis of motion pictures that have used color to enhance or define their characters or dramatic needs, we are given a lively and insightful view of our reactions to the film experience.

Leading us gently but firmly through places we may have taken for granted, we find revelations that can be of real help to readers who use color to shape emotional responses to concepts, as well as physical environments. We can never again take the
world of color for granted." --Robert Boyle, four-time Oscar-nominated Production Designer (North by Northwest, The Birds, The Thomas Crown Affair, Fiddler on the Roof)

"A wonderful idea and very impressive! Patti's book shows the importance of color in developing both character and story." --Henry Bumstead, two-time Oscar-winning Production Designer (To Kill a Mockingbird, The Sting, Unforgiven, Mystic River)

"We see color--Patti Bellantoni feels color. She is passionate about how we (the audience) are affected by the use of color as an emotion in film. This book pulls me back into my favorite films and helps me look at them in a new way. The book is a first of its kind and a great asset for our students on the impact of cinematography and production design." --Judy Irola, ASC, Head of Cinematography,USC School of Cinema-Television

"Bellantoni's evidence is confident and her examples are authoritative. Like Robert McKee's Story Seminars, hers is a breakthrough concept." --Sam L. Grogg, Ph.D, Dean, AFI Conservatory

"There comes a point, as Bellantoni spins example after example, where it all suddenly clicks. The use of color in motion pictures is not just a happy coincidence, but a conscious artistic choice that wafts with concrete meaning through all of the film's language. Unconscious and primitive in many respects, conscious and sophisticated in many more, the use and choice of color in motion pictures depends on the filmmakers instinct and intellect, the pillars of all great art. No one can ever look at moving pictures the same way after steeping themselves in this excellent book of discovery."
--Sam L. Grogg, Ph.D, Dean, AFI Conservatory

"Color remains one of the filmmaker's greatest assets and opportunities. With the new arsenal of digital tools available, the range of options for color has grown dramatically in the last three years. For filmmakers, Patti Bellantoni's new book is a great resource for what is now possible."
--Robert Hoffman, Vice President, Marketing,
Technicolor Entertainment Services

"Patti Bellantoni has opened our eyes to the power of color in our lives. Her book is an invaluable resource not only for film professionals but also for artists, writers, designers, psychologists, educators, healers, and all who seek a deeper understanding of visual experience." --Judith Searle, Author, The Literary Enneagram: Characters from the Inside Out

"A fascinating exploration of how color affects our emotional perception of the world. Although Patti primarily discusses the impact of color in film, her book is an indispensable resource for all visual artists." --Ralph Funicello,Tony Award nominated Set Designer,Don Powell Chair in Set Design, San Diego State University

"Patti does a wonderful job of dissecting color and its presence in film. She makes us aware of the visual path in our brain and how a film touches us. This is a critical concept as we contemplate the digital medium in film making!" --Beverly Wood Holt, Exec. VP Technical Services & Client Services, Deluxe Laboratories.

"This is a crossover book with a broad appeal and a longer life. It's not only about movies. It's about how people feel when they watch movies." Barnes & Noble manager, Los Angeles

Most helpful customer reviews

45 of 48 people found the following review helpful.
This is not a book you buy, this is a book you leaf through and set back down.
By T. Callahan
I really wanted what this book promised, what it held out to me in the "search inside" feature - but the deficiencies in style, content, and format are severe enough to warrant a serious warning against purchasing this book, or at the very least, this edition.

The text is written like new-age spiritual guidance lit - there are gaps in logic everywhere, and every argument is based off of a story instead of a fact. Providing some acuity on a color or its psychological effects would be what I would expect from a book that costs as much as a textbook, instead, the reader is put in the mood for the upcoming chapter with descriptions of color that read like horoscopes. Reds are divided up into "Powerful, lusty, and defiant reds," & "Anxious, angry, and romantic reds." Why not start off with cool reds and warm reds? Because you're being sold on the words, not on the colors, and not on some sort of proof.

Which leads me to the fact that there are 28 stills from films in this 243 page book. To reiterate: 243 page book on visual storytelling, 28 examples. Oh, there are some nice pictures of road signs and various other stock photos, and - no joke - some paintings the author's students made. 12 of those inside. They're kind of nice. But they are nothing more than a cheap magician's misdirection - these students come up again and again as proof that people "see" a color a certain way. Yeah, red's "anger" or "passion." I don't need a book, or someone else's experience to tell me this - I bump my head, or rub my eyes, and I see red. I want to be told how red communicates anger and passion to an audience. Simply stating that it does so is not providing me with a fact, it's providing a tautology.

Now let's look past the medium and to the message: as long as we take the emotional cues we're told to, we have a little interesting analysis underscored with flecks of color theory, but this is in fact still a problem - the text ought to be centered around the color theory; instead, the sections read like some films were screened, the author wrote down a couple obvious ideas, then filed them by color - and missed the best films and points entirely. Where is Kieslowski's COLORS trilogy? Three top-shelf films, each based around a color, ignored. Talking about the color orange in "The Godfather?" How about, I don't know, mentioning the ORANGES present when main characters are killed? No sir. How about a chapter for black, and a chapter for white? Not technically colors, sure, but we use them as and/or with colors. A lot.

If you're really considering purchasing this book, try very hard to find it at a library first. Or look up a color on wikipedia. If you're set on spending money, buy a color wheel, or simply look further for color theory.

I'm going to donate my copy to the library.

0 of 0 people found the following review helpful.
Not a tedious read as one would expect of an "educational" tome
By Kathi S
Made color correlations I would have never put together. Not a tedious read as one would expect of an "educational" tome. Quite interesting.

15 of 17 people found the following review helpful.
Tickled Pink!
By Dr. E
As an instructor of film-studies, I needed a text that tackled color-theory but used terms that first-year college-students could understand (i.e. a jargon-free examination of color in film). Bellantoni's work easily fulfills this need.

Foremost, Bellantoni logically divides her chapters by color (How refreshing to find a technical-work which travels a simple path!!) Within these chapters, are references to both well-known films (ex. "The Godfather," "Snow White and the Seven Dwarfs," "Saving Private Ryan," "American Beauty," "Eyes Wide Shut," "Rosemary's Baby" and "Malcolm X") as well as lesser-watched films (ex. "Mi Familia," "Eve's Bayou, and "The Caveman's Valentine"). The tremendous range of examples ensures that every reader will find a film-favorite for each color entry. (No need to worry about this being another text brimming with obscure/out-of-print works!!)

Now, let me be clear about Bellantoni's work. She emphasizes that there are both "intellectual" and "visceral" responses to color. Her text focuses almost entirely on the "visceral" (which she repeatedly states). Some detractors of the Bellentoni's find fault with her "failure" to explore the "intellectual." Nonsense. Frankly, I prefer this focused approach to a broader (potentially sloppy) work. The richness of this text would have suffered if Belllantoni felt compelled to address every possible interpretation.

While I enjoyed Bellantoni's personal anecdotes, I was occasionally frustrated by her neglecting to cite sources for a variety of evidence. For instance, when she asserts that "red cars get more speeding tickets than cars of any other color," I would have appreciated a footnote citing her source (or even providing the data)(2). Nonetheless, these were minor irritations in an overall informative work. What compensates for this "problem" is her interviews with cinematographers. These frequent "blurbs" lend credence to Bellantoni's work ... if ever you doubted the importance of color, just read a few of these inserts and you will become a "believer."

In my class we read one chapter a week ... by the last week, my students were color-masters!! The assigned films had become exercises in color-exploration ... to the point where I had to stop my class and say "Let's look at other elements also!" What this tells me is that Bellantoni's work is easily accessible to every student and genuinely exciting!! While my class has completed readings on most film elements, they inevitably want to return to Bellantoni's work on color and camp there! That kind of enthusiasm ... well, that's rare!

Thank you, Professor Bellantoni for inspiring excitement in my students! What a gift you have given to professors and students alike!!

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Senin, 26 Desember 2011

[B680.Ebook] Free Ebook The Sins of the Fathers, by Win Worley

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The Sins of the Fathers, by Win Worley

  • Sales Rank: #3286991 in Books
  • Published on: 1990
  • Binding: Pamphlet
  • 24 pages

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0 of 0 people found the following review helpful.
my husband liked it
By Monica R.
Ok

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Kamis, 22 Desember 2011

[V124.Ebook] Download Ebook The New Russia, by Mikhail Gorbachev

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The New Russia, by Mikhail Gorbachev

After years of rapprochement, the relationship between Russia and the West is more strained now than it has ever been in the past 25 years. Putin's motives, his reasons for seeking confrontation with the West, remain for many a mystery. Not for Mikhail Gorbachev. In this new work, Russia's elder statesman draws on his wealth of knowledge and experience to reveal the development of Putin's regime and the intentions behind it. He argues that in order to further his own personal power, Putin has corrupted the achievements of perestroika and created a system which offers no future for Russia. Faced with this, Gorbachev advocates a radical reform of politics and new fostering of pluralism and social democracy.

Gorbachev's insightful analysis moves beyond internal politics to address wider problems in the region, including the Ukraine conflict, as well as the global challenges of poverty and climate change. Above all else, he insists that solutions are to be found by returning to the atmosphere of dialogue and cooperation which was so instrumental in ending the Cold War.

This book represents the summation of Gorbachev's thinking on the course that Russia has taken since 1991 and stands as a testament to one of the greatest and most influential statesmen of the 20th century.

  • Sales Rank: #85659 in Books
  • Published on: 2016-05-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.30" h x 1.61" w x 6.30" l, .0 pounds
  • Binding: Hardcover
  • 400 pages

Review

"This is a reminder of how vast was [Gorbachev's] achievement in allowing in the light of freedom. Where his contemporary, Nelson Mandela, was great beyond the whites' deserts in building a post-apartheid nation, Mr Gorbachev was great beyond the deserts of the Soviet Union (and perhaps even of the west, which could barely understand or trust him) in proposing a way for the despotic world to aspire to democratic governance, freely organised civil society and rule of law. That he failed, he keenly knows. Our best hope is that his ideas, in time, succeed."
—Financial Times

Review

"Mikhail Gorbachev, with his prodigious intellect, vast experience, and powers of perception, gives us his views spanning from his time in office to the present day. As he says, 'Life teaches you more than any teacher,' and we all can learn by reading this account of his extraordinary life."
—George P. Shultz, former Secretary of State and Secretary of the Treasury of the United States

"Gorbachev was on the right side of history. One day the Russian people will recognize that they have as much reason to be grateful to him as do the rest of us. This important book explains why."
—Sir Malcolm Rifkind, former Foreign Secretary and Defence Secretary of the United Kingdom

"Former Soviet President Mikhail Gorbachev recounts his reaction to events over the past quarter century, from the collapse of the Soviet Union and the emergence of the Russian Federation, to the revival of Cold-War-like confrontation with the West and the return of authoritarian governance in Russia itself. Gorbachev deplores the fact that Russia has deviated from the path to democracy that was the aim of his perestroika, but also points out that U.S. and Western policies have contributed to the current Cold War atmosphere. Gorbachev’s The New Russia is essential reading for anyone who wishes to understand why the 'Europe Whole and Free' that Gorbachev and his Western partners tried to create still eludes us. His suggestions for a return to East-West cooperation and for a resumption of democratic reform in Russia itself are timely and much needed."
—Jack F. Matlock, former United States Ambassador to the Soviet Union and Czechoslovakia

About the Author
Mikhail Gorbachev was the last leader of the Soviet Union, serving as General Secretary of the Communist Part from 1985 to 1991. Since then, he has maintained an active role in world affairs through the Gorbachev Foundation, a non-profit think tank which promotes democracy and humanitarian initiatives globally.

Most helpful customer reviews

0 of 2 people found the following review helpful.
Five Stars
By TommyR
Excellent book.

0 of 3 people found the following review helpful.
Five Stars
By Sengil
Easy to read and the book is with full of memories and interesting comments......

4 of 4 people found the following review helpful.
A fascinating blend of history, current events, politics and autobiography from one of the great leaders of our time
By Elisa 20
I'll be honest. I don't understand the low ratings for this book. I can be tough on books, too, especially when they're sloppy history or purposefully filled with inaccuracies and self-serving claims. There are plenty of books--plenty!--by political leaders (and their aides) who lived during the time period that Gorbachev writes about (1980s to the present). But this book isn't one of them. For me--perhaps a disclaimer as a Gorbachev fan--this book, part memoir and part critique--is special. That it is being shared with us by a major transformative historical personage who is still living, still writing, still working for democratic changes in Russia, makes it even more unique and valuable to read.

Mikhail Gorbachev is one of those major historical figures--in my opinion, having the historical stature of someone like our own Franklin Roosevelt or Abraham Lincoln. It is shocking that in today's Russia, under former KGB-head Vladimir Putin, he is reviled for introducing democracy and reforms that were catalysts for the breakup of the Soviet Union and its authoritarian regime. (And nice to read his compliments for Khrushchev, a man whose image in the West needs revision, particularly for Americans--in an appreciation of his leadership during the last year of the Kennedy administration. After Kennedy was murdered, Khrushchev no longer had anyone in power who could be his partner in reforming the U.S.-USSR relationship--changes that had been well on the way to ending the Cold War. I digress, but its important to note that Gorbachev, while critical of Khrushchev in some ways, also reminds Americans of his courage as an early reformer--and one whom Americans owe a great deal to, not only for his willingness to negotiate with JFK over the removal of Soviet missiles in Cuba, but also his agreement with Kennedy to negotiate and sign the world's first nuclear test ban treaty--something we are all beneficiaries of with no nuclear bombs exploding in the air or seas from then on, thanks to them.)

It is shocking that, in Russia today, Gorbachev lives basically in public relations exile, with some people, including those close to Putin, saying he should be regarded as a criminal for the changes he brought to the Soviet Union. For readers here who gave this book low marks because a significant portion of it has to do with that time period in Russia (and the world) --and with the glasnost and perestroika that Gorbachev initiated--truly admirable and remarkably bold "changes from within"--perhaps you will reconsider. The 1980s/90s are not irrelevant relics of a time long passed. The changes in Russia then--including Cold War tensions and "empire-building": that were diffused by Gorbachev but have been revived under Putin (as in Ukraine)--make this book extremely relevant to those who want to understand Russian politics and government and how it is impacting the world today.

Gorbachev begins with the time period in which he led the political and social changes that ended the Soviet system. His presidency was a great triumph, really for democracy and freedom over authoritarianism. But that was then, this is now, and the majority of the book delves into that--what happened following his government (he really doesn't understand why Yeltzin's heroic moments so built his reputation that even his chaotic and sometimes irresponsible governing style still leave him highly regarded in the West). The real point, though, is that in the years since perestroika, Russia has moved toward authoritarianism and away from the social democratic reforms initiated with Gorbachev. He regards this change with understandable sadness.

Many Russian people, of course, are still grateful for what he did and how it positively impacted their lives. But for those who long for the old empire--with all that means--he is often reviled, (something he seems to basically accept with democratic equanimity as all part of democratic freedom of opinion.) It is this commitment to freedom--economic and political--and to democracy--that informs the majority of this book as he reflects on the "New Russia", particularly as it exists under Putin. Personally, I thought it was a fascinating read--part history, part current events and politics, part autobiography.

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Rabu, 21 Desember 2011

[C326.Ebook] Download PDF Screenplaying: Music from Local Hero, Cal, The Princess Bride and Last Exit to Brooklyn : arranged for piano and keyboard - includes guitar

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Screenplaying: Music from Local Hero, Cal, The Princess Bride and Last Exit to Brooklyn : arranged for piano and keyboard - includes guitar

Original Score Arrangement

  • Sales Rank: #7617929 in Books
  • Published on: 1993
  • Format: Import
  • Binding: Sheet music
  • 63 pages

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Screenplaying: Music from Local Hero, Cal, The Princess Bride and Last Exit to Brooklyn : arranged for piano and keyboard - includes guitar PDF
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Screenplaying: Music from Local Hero, Cal, The Princess Bride and Last Exit to Brooklyn : arranged for piano and keyboard - includes guitar iBooks
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Screenplaying: Music from Local Hero, Cal, The Princess Bride and Last Exit to Brooklyn : arranged for piano and keyboard - includes guitar Mobipocket
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Screenplaying: Music from Local Hero, Cal, The Princess Bride and Last Exit to Brooklyn : arranged for piano and keyboard - includes guitar PDF

Screenplaying: Music from Local Hero, Cal, The Princess Bride and Last Exit to Brooklyn : arranged for piano and keyboard - includes guitar PDF

Screenplaying: Music from Local Hero, Cal, The Princess Bride and Last Exit to Brooklyn : arranged for piano and keyboard - includes guitar PDF
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Selasa, 20 Desember 2011

[F320.Ebook] Download 150 Of The Most Beautiful Songs Ever - Ukulele Chord SongbookFrom Hal Leonard

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150 Of The Most Beautiful Songs Ever - Ukulele Chord SongbookFrom Hal Leonard

This series features convenient 6 x 9 books with complete lyrics and chord symbols above the lyrics for dozens of great songs. Each song also includes chord grids at the top of every page, and the first notes of the melody for easy reference. These books are perfect for people who don't read music but want to strum chords and sing, and are equally ideal for more advanced, music-reading ukulele players who don't feel like wading through note-for-note notation. This collection features all the songs featured in the bestselling piano songbooks of the same name, including: Always * Bewitched * Candle in the Wind * Endless Love * Fields of Gold * Georgia on My Mind * In the Still of the Night * Just the Way You Are * Lollipops and Roses * Memory * The Nearness of You * Oh, What a Beautiful Mornin' * People * The Rainbow Connection * Smile * Tears in Heaven * Unchained Melody * What a Wonderful World * Yesterday * and more.

  • Sales Rank: #1048544 in Books
  • Brand: Hal Leonard
  • Published on: 2013-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .74" w x 5.88" l, 1.11 pounds
  • Binding: Paperback
  • 320 pages

About the Author
Founded in 1947, Hal Leonard Corporation has become the worlds largest print music publisher, representing some of the greatest songwriters and artists of all time. We are proud to publish titles of interest to all musicians as well as music lovers, from songbooks and instructional titles to artist biographies and instrument price guides to books about the music industry and all the performing arts.

Most helpful customer reviews

156 of 156 people found the following review helpful.
528 pages of great songs under one cover for under 20 bucks. But easy? Depends on how you define that.
By Sharon Isch
I love this collection. It has so many songs in it that I like to play that aren't in any of my other songbooks. I love that even though it's big and fat and NOT spiral bound, its pages nonetheless lie flat wherever I open them to; that its sturdy cover and its binding hold up under frequent use, that they didn't skimp on the quality of the paper and printing. And that you can get it here for under twenty bucks.

But what exactly, you may wonder, does Hal Leonard mean by "easy" piano? Well, I'd say it means that if you can read and play standard sheet music, you can probably play anything here. Which I guess I'd put at around Grade 3 competence level and beyond.

It's really too, too bad the seller isn't offering one of Amazon's "inside looks" here like they did on the Amazon product page for an earlier version of this book, so you could check out the contents list and see what you'd be getting. Maybe I can help a little with that. I'm not going to rattle off all 150 titles, but here are 50 of them, which should give you a pretty good idea whether this is your kind of songbook:

Always on My Mind, And I Love Her, Bewitched, By the Time I Get to Phoenix, Candle in the Wind, Can't Help Lovin' Dat Man, Climb Every Mountain, Daddy's Little Girl, A Dream Is a Wish Your Heart Makes, Fields of Gold, Fly Me to the Moon, From a Distance, Georgia on My Mind, I Have Dreamed, I Just Called to Say I Love You, I Left My Heart in San Francisco, I Will Wait for You, I'll Be Seeing You, If You Go Away, Imagination, I'll Have to Say I Love You in a Song, In My Room, In the Wee Small Hours of the Morning, I've Grown Accustomed to Her Face, The Last Waltz, Let it Be Me, Look to the Rainbow, Memory from Cats, Moon River, My Funny Valentine, Oh What a Beautiful Mornin,' The Rainbow Connection, Release Me, She, Some Day My Prince Will Come, Some Enchanted Evening, Somewhere My Love, Somewhere Out There, Stardust, Tears in Heaven, Tenderly, Tennesee Waltz, Till There Was You, A Time for Us, True Love, Try to Remember, What a Wonderful World, What Kind of Fool Am I?, When You Wish Upon a Star, Yesterday, You Light Up My Life,

2 of 2 people found the following review helpful.
Easy to Play Familiar Songs
By Ronald K. Ridley
Many old familiar favor songs in this book. I love the easy to follow scores in big print. I played and sang along with a few of these music sheets. It would have been nice to be a in spiral bending, but the book still turned fairly easily. Turning pages did slow me down, when playing the music. If I was to play this for someone, I would have to copy off the sheets for a complete music piece and tape them together so that I can see them all out across in front of me. It would have been nice if they had fold out sheets of each complete music piece so that you could see them all together without having to turn pages. I like the idea of chord letters at the top of the measures, which will make it easier for me to play the ukulele along with the piano. I especially like the one note or two note chords in the bass clef inside of a four or five note chord and many notes in each measure of the bass clef. There are easy to follow songs and will give me many hours of joy playing them. I might download the kindle version as well. This would make it easy to take on trips on the kindle and I could possible perform on ocean cruise lines for free trips.

1 of 1 people found the following review helpful.
A perfect book for music lovers--well arranged--easy to play--great standards.
By Myrna G.
A huge pile of songs. It was so big, that I cut off the spine, took it to Office Depot and had holes punched for a notebook. As an intermediate piano student, the level is easy to moderate. The songs are well written and I like it that there are some songs where the left hand has plenty of work to do and not just one or 2 notes to keep the melody.

It is one of the best books on the old standards of the early years (30s, 40s, 50s). My piano teacher's face lit up when she saw it. She said this was one of the best books I had purchased since I love the old movies and tunes of the past. I don't like to scratch up my piano, so I choose a few songs at the time, copy them and place the papers on my piano rack. A lot of the songs are 4 pages in length because of the large format. If the song is a favorite, I find a photo of the popular singer and paste it on the front of the song sheet.

If you like the 60s, 70s and 80s you will find favorites from that era as well. It is a good choice and well arrange by various arrangers. You won't be sorry you own it.

See all 72 customer reviews...

150 Of The Most Beautiful Songs Ever - Ukulele Chord SongbookFrom Hal Leonard PDF
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150 Of The Most Beautiful Songs Ever - Ukulele Chord SongbookFrom Hal Leonard PDF

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Sabtu, 17 Desember 2011

[B776.Ebook] Free PDF A Little More Than Kin (Darby Chronicles), by Ernest Hebert

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Initially appearing in Hebert’s first Darby Chronicles novel, The Dogs of March, Ollie Jordan and his clan live in shacks behind a huge billboard advertising a Vermont business. Although he’s a brooding character with an inquiring, philosophical turn of mind, Ollie has grown up with no education, no mentors, and a serious Freudian hang-up. A family history of poverty, stubborn pride, and a culture that runs contrary to mainstream society have robbed Ollie and his people of opportunity, even hope. They live by a culture of “succor and ascendancy.”

When Ollie is evicted from his shacks, he breaks his drinking rules and heads out into the wilderness with his disabled son, Willow, literally chained to him. Father and son are doomed. How that doom plays itself out, as experienced by the disturbed but insightful Ollie Jordan, is what makes A Little More Than Kin unique in contemporary American literature. Hebert gives his rural underclass protagonist the depths of a tragic hero.

Though A Little More Than Kin is action-packed and its prose is clean, hard, lyrical, and sometimes very funny, the book is at its heart an exploration into a brilliant mind that has laid waste to itself. This novel will appeal to readers who enjoy prose that explores the human psyche at its most perverse.

  • Sales Rank: #3733685 in Books
  • Published on: 2014-09-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.60" h x .39" w x 5.42" l, .0 pounds
  • Binding: Paperback
  • 232 pages

Review
“A lively, absorbing, dourly funny, ultimately moving novel.” —Atlantic Monthly

About the Author
ERNEST HEBERT resides in a pleasant town outside Keene, teaches English in the small college town of Hanover, and spends a good deal of time in the imaginary Darby, all three situated in New Hampshire. For more about author Ernest Hebert and the Darby Chronicles go to erniehebert.com.

Most helpful customer reviews

1 of 1 people found the following review helpful.
I enjoyed this book's characters
By John P. Darling
I was very disappointed in this book. The main character was thoroughly unlikable and uninteresting. Reading 200+ pages of his antics just wore me out. I've stalled on the Darby Chronicles because of it. Not sure if investing my time in the last 5 of the books is worth it. Can't take another as bad as this one.

0 of 0 people found the following review helpful.
I loved "The Dogs of March
By Donna Kossy
I loved "The Dogs of March," and I wanted more of the same type of thing, so I was delighted to find that the book was part of a long series. This was the second book in the series. I enjoyed it, as it centered on one of my favorite characters from the first book, but in the end it was not as compelling, and I'm not sure why. I think it needed a bit more contrast and focus on other characters, the way the first book did. Even so, the writing was excellent and I enjoyed it.

0 of 0 people found the following review helpful.
Less enjoyable than the 1st of the series
By Amazon Customer
I was a bit disappointed with this after loving book 1 of the Darby Chronicles. The book was engrossing in the beginning but really bogged down in the middle before a bit of a resurgence in the end.

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Senin, 12 Desember 2011

[Z835.Ebook] Fee Download eBay Selling Made Easy: Make Money Online

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Mark - 2/20/2015

I have been an eBay PowerSeller for a few years and I thought I would give this a go to see someone else's take on how to succeed. This was a very comprehensive guide that would be absolutely perfect for someone starting out in selling.

Tags: Make Money on eBay, Selling on eBay, eBay Selling Success, eBay Selling Secrets, Selling on eBay, How to sell on eBay, eBay Selling Tips

  • Sales Rank: #1821809 in eBooks
  • Published on: 2015-03-03
  • Released on: 2015-03-03
  • Format: Kindle eBook

Most helpful customer reviews

1 of 1 people found the following review helpful.
Good Overview of eBay.
By C9AXROSE
Good overview of general procedures of eBay. Holds a few good nuggets of info but not an in depth guide. Good for beginner who has never sold on eBay.

1 of 1 people found the following review helpful.
Five Stars
By bobby jones jr
very informaive book

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[H545.Ebook] Ebook Download A World in Disarray: American Foreign Policy and the Crisis of the Old Order, by Richard Haass

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A World in Disarray: American Foreign Policy and the Crisis of the Old Order, by Richard Haass

"A valuable primer on foreign policy: a primer that concerned citizens of all political persuasions—not to mention the president and his advisers—could benefit from reading."�—The New York Times

An examination of a world increasingly defined by disorder and a United States unable to shape the world in its image, from the president of the Council on Foreign Relations

Things fall apart; the center cannot hold. The rules, policies, and institutions that have guided the world since World War II have largely run their course. Respect for sovereignty alone cannot uphold order in an age defined by global challenges from terrorism and the spread of nuclear weapons to climate change and cyberspace. Meanwhile, great power rivalry is returning. Weak states pose problems just as confounding as strong ones. The United States remains the world’s strongest country, but American foreign policy has at times made matters worse, both by what the U.S. has done and by what it has failed to do. The Middle East is in chaos, Asia is threatened by China’s rise and a reckless North Korea, and Europe, for decades the world’s most stable region, is now anything but. As Richard Haass explains, the election of Donald Trump and the unexpected vote for “Brexit” signals that many in modern democracies reject important aspects of globalization, including borders open to trade and immigrants.

In A World in Disarray, Haass argues for an updated global operating system—call it world order 2.0—that reflects the reality that power is widely distributed and that borders count for less. One critical element of this adjustment will be adopting a new approach to sovereignty, one that embraces its obligations and responsibilities as well as its rights and protections. Haass also details how the U.S. should act towards China and Russia, as well as in Asia, Europe, and the Middle East. He suggests, too, what the country should do to address its dysfunctional politics, mounting debt, and the lack of agreement on the nature of its relationship with the world.

A World in Disarray is a wise examination, one rich in history, of the current world, along with how we got here and what needs doing. Haass shows that the world cannot have stability or prosperity without the United States, but that the United States cannot be a force for global stability and prosperity without its politicians and citizens reaching a new understanding.

  • Sales Rank: #136600 in Books
  • Published on: 2017-01-10
  • Released on: 2017-01-10
  • Formats: Audiobook, CD, Unabridged
  • Original language: English
  • Number of items: 7
  • Dimensions: 5.80" h x 1.10" w x 5.10" l,
  • Running time: 540 minutes
  • Binding: Audio CD

Review
"A valuable primer on foreign policy: a primer that concerned citizens of all political persuasions — not to mention the president and his advisers — could benefit from reading."
-Michiko Kakutani, The New York Times

"A must-read for the new American president and all who are concerned by�the state of the world and the prospect of things getting worse. Richard Haass�takes the reader galloping through the last four centuries of history�to explain how we got to where we are, and then offers an insightful and strategically coherent approach to coping with and managing the challenges before us.� Practical and provocative: a�book that sets the policy table."�
—Robert M. Gates �

"Haass’s views demand the highest respect, because he understands that the foremost requirement for stability is that the great nations can deal with each other, and should use diplomacy, an art that recent British governments have almost abandoned in favour of soundbite broadcasts, and that in America threatens to be displaced by a tweetocracy. He understands the limits of power, and of the possible: terrorism must be contained, but cannot be eliminated. China and Russia must be granted respect on the world stage, but a willingness to resist their acts of aggression must be supported by credible western armed forces. America needs to change its Middle East policy, but cannot conceivably walk away from the region. If we had grounds to suppose that the new tenant of the White House was taking Haass’s book to his bed with him, the rest of us might sleep a tad easier in ours."
— Sunday Times�

“This is a thought-provoking book that suggests the new foreign policy 2.0 requires more global engagement.”
—Huffington Post

“Richard Haass’s A World in Disarray is an important primer on the chaotic landscape Trump will inherit."
—New Republic

"In a world where power has become decentralized and respects no borders, we need an updated operating system, one that provides a new method for conducting diplomacy. In this wise and historically grounded book, Richard Haass shows what we need to do at home and in our foreign policy to make this work. It's a brilliant approach for a troubled world."
—Walter Isaacson

"With bracing intellectual rigor and a sure feel for the realities of politics and of culture, Richard Haass offers us an invaluable window on a world, as he puts it, in disarray. A wise and engaging voice, Haass is always worth listening to--now more than ever."
—Jon Meacham

"We live in an age when trends once thought irreversible -- globalization, unipolarity, even democracy -- have proven no longer to be. I know of no better guide through these upheavals and toward the new strategies they require than Richard Haass's�A World in Disarray.�It's�essential for anyone trying to understand the new pivotal moment we all inhabit." —John Lewis Gaddis

About the Author
Dr. Richard Haass�is president of the non-partisan Council on Foreign Relations. He served as the senior Middle East advisor to President George H.W. Bush and as Director of the Policy Planning Staff under Secretary of State Colin Powell. A recipient of the Presidential Citizens Medal, the State Department's Distinguished Honor Award, and the Tipperary International Peace Award, he is also the author or editor of twelve books on foreign policy and international relations. Dr. Haass lives in New York.


From the Hardcover edition.

Excerpt. � Reprinted by permission. All rights reserved.
1. 

From War Through World War

It is tempting to begin this book with answers to the questions of what is wrong with the world, why, and what to do about it, if for no other reason than there is no shortage of material to consider. But it is better, and in fact necessary, to take a step back, first to understand how we arrived where we are and, second, to discern what about this world is genuinely new and different.

The best place to begin is with the concept of world order. For many reasons, the concept, from its modern inception nearly four centuries ago to the present, is central to this book. “Order” is one of those terms that is used a great deal, but like a lot of popular terms, it is used differently by different people and can obscure as much as illuminate. It is best used and understood in a neutral, descriptive way, as a reflection of the nature of international relations at any moment. It is a measure of the world’s condition. It includes and reflects arrangements that promote peace and prosperity and freedom as well as developments that do not. In short, “order” is not the same as “orderly”; to the contrary, the term “order” implicitly also reflects the degree of disorder that inevitably exists. One can have world orders that are anything but stable or desirable.

The term is experiencing something of a revival. World Order is, among other things, the title of a recent book by Henry Kissinger.1 Kissinger, the preeminent foreign policy practitioner of the second half of the twentieth century, is also one of the most influential writers not just on this subject but on many aspects of diplomatic history and international relations. And for these and related reasons I will come back to him more than once in the course of this book. I want to begin, though, with another academic, an Australian, Hedley Bull.

I came to know Hedley when I was a graduate student at Oxford in the mid-1970s. We became friends, and his thinking and writing came to have a major influence on me. Bull wrote in 1977 what I find to be the most important contemporary book in the field of international relations, The Anarchical Society. Its subtitle, appropriately enough, is A Study of Order in World Politics.2

Bull writes about international systems and international society. It is a distinction with a difference. An international system is simply what exists at the international level absent any policy decisions, in that countries and other entities along with various forces interact with and affect one another. There is little or nothing in the way of choice or regulation or principles or rules. An international society, by contrast, is something both different from and very much more than a system. What distinguishes a system from a society is that the latter reflects a degree of buy-in on the part of participants, including an acceptance on their part of limits on either what is sought or discouraged, how it is to be sought or discouraged, or both. It is rules-based. These rules (or limits) are accepted by the members of the society for the simple reason that they determine it is their best (or least bad) course of �action given the choices that are realistically available. Such rules as there are can be enshrined in formal legal �agreements or honored tacitly and informally.

In the international sphere, the notion of “society” as described by Bull has specific meaning. First, the principal “citizens” of this society are states, a word used interchangeably here and elsewhere in these and other pages with both “nation-states” and “countries.” Second, a founding principle of this society is that states and the governments and leaders who oversee them are essentially free to act as they wish within their own borders. How those individuals come to �occupy positions of authority, be it by birth, revolution, elections, or some other way, matters not. Third, the members of this international society respect and accept not just this freedom of action on the part of others (in exchange for others in turn accepting that they can act as they wish within their own borders) but also the existence of other members of this society. States therefore seek to avoid war among themselves. It is not far off to describe this approach to international relations as being something of a “live and let live” cross-border understanding.

But history is always more than just the narrative of consensus; it is also at least as much a narrative of disagreement and friction. The mix of success and failure, of order and �disorder, is central to the work of Bull. As suggested by the title of his book, history at any moment or in any era is the result of the interaction between forces of society and anarchy, of order and disorder. It is the balance between the two, between society and anarchy, that determines the dominant character of any era.

This is a useful framing concept for approaching and understanding the world. At any moment, it provides a snapshot of where things are. And if enough snapshots are saved and strung together from days or months or years before, it provides a moving picture of trends.

Before going any further, it is essential to make clear just what is required for there to be order. Here I want to return to�Henry Kissinger and to an early book of his, A World Restored.3 The book was published some sixty years ago and based upon Kissinger’s doctoral dissertation, something that should probably give every graduate student more than a little pause. Replete with vivid character portraits, it is a wonderfully written book, one that darts back and forth between �specific history and larger lessons. Kissinger writes about the building of a new international order, about a world that was in large part resurrected in the aftermath of revolution and the Napoleonic�Wars in the late eighteenth and early �nineteenth centuries. It is the history of an international, that is,�European order that was recognized at the Congress of �Vienna—a gathering in 1814 and 1815 where, among others, the foreign ministers of Great Britain, France, Prussia, Russia, and Austria-Hungary met to shape Europe’s future—and that survived for much of the nineteenth century.

The Congress of Vienna is noteworthy as an early example of an effort to promote peace and stability. The final product included any number of territorial arrangements, land swaps, recognitions of rightful rulers, and more. It is also noteworthy for what it did not do. While it did help bolster Europe’s peace for several decades, it ultimately came undone amid the emergence of revolutionary movements in or near several of the participants, a changing balance of power that reflected both Prussia’s (and later Germany’s) rise and the fading and ultimate disappearance of multiple empires. This is worth highlighting as it is a reminder of how orders can come to an end and in so doing become disorders.

It is useful to deconstruct the concept of order, to break it down into its most essential elements. One critical element of order is the concept of “legitimacy,” defined by Kissinger to mean “international agreement about the nature of workable arrangements and about the permissible aims and methods of foreign policy.”4 Used in this fashion, legitimacy is a big idea, as it not just defines the rules of international relations—what is to be sought and how, as well as how these rules are to be set and modified—but also reflects the extent of their acceptance by actors with real power.

But just as essential to this notion of order, just as essential as this concept of legitimacy, was something much less intellectual. Here again I quote: “No order is safe without physical safeguards against aggression.”5 Thus Kissinger, writing sixty years ago about a very different world, made clear that order depended both on there being rules and arrangements to govern international relations and on a balance of power.

Bull and Kissinger have a good deal in common. Both were mostly concerned with order between states, especially the major powers of a particular era. Order reflects the degree to which those with substantial power accept existing arrangements or rules for conducting international relations, as well as the diplomatic mechanisms for setting and modifying those rules. It also reflects the ability of those same powers to meet the challenges of others who do not share their perspective. Disorder, as explained by both Bull and Kissinger, reflects the ability of those who are dissatisfied with existing arrangements to change them, including through the use of violence. This emphasis is hardly surprising. After all, great-power rivalry, great-power competition, and great-power conflict constitute much of what we think of as history. This was certainly the case for the twentieth century, which was defined by two world wars and a third that mercifully remained largely cold.

Order can be understood in this way, reflecting efforts by states to discourage the use of military force to achieve foreign policy aims. Tied to this view is that order is a respect for�sovereignty, defined as allowing fellow states (and the gov�ernments and leaders in charge of them) to do much as they please within their borders. This approximates what is best understood as the classical view of order. The premise of this approach is that the principal objective of the foreign policy of any government ought to be influencing the foreign policy of other governments rather than the nature of the society over which they preside. As will be discussed later, this definition of order is not universally shared; to the contrary, it is too much for those who do not accept existing borders and not enough for those who worry most about what takes place within borders wherever they may be drawn.

The classical notion of order described above is normally attributed to the Treaty of Westphalia, the pact signed in 1648 that ended the Thirty Years War, a part-religious, part-political struggle within and across borders that raged across much of Europe for three decades. The treaty was something of a breakthrough, in that disorder and conflict born of frequent interference inside the borders of one’s neighbors had been the norm. The Westphalian order is based on a balance of power involving independent states that do not interfere in one another’s “internal business.”

The historian Peter Wilson, who wrote one of the finest books on the Thirty Years War, put it this way: “Westphalia’s significance lies not in the number of conflicts it tried to resolve, but in the methods and ideals it applied�.�.�. sovereign states interacting (formally) as equals within a common secularized legal framework regardless of size, power or internal configuration.”6

All this constituted a significant change in how the world operated. Secular sovereign states had become preeminent; empires founded on religious identity no longer dominated. Size or power didn’t necessarily matter the most, as states (all being sovereign entities) had equal rights in principle if not in practice. This approach to order may seem terribly narrow through the lens of the second decade of the twenty-first century, and in many ways it is. But in its time, in its day, in the first half of the seventeenth century, this was an enormous breakthrough. Until then, there was little order in the world other than that imposed by the strongest entity. War was a frequent occurrence between and among this or that principality or state or empire. The idea of trying to bring about a world in which there was not, to use modern parlance, nonstop intervention in the internal affairs of others was a major advance. And it helped set the stage for a considerable period of relative stability in Europe.

As noted, the Congress of Vienna in the second decade of the nineteenth century was convened to come up with a post-Napoleonic diplomatic settlement.7 The leaders of the day were so traumatized by what had just taken place that they operationalized the concepts of the Westphalian model, resulting in the Concert of Europe. The concert, as the word suggests, was an orchestration of how international relations in Europe would be conducted given the mind-set of those involved at the time, about how they would accept current borders and for the most part leave one another alone within their territories.8 It encompassed frequent high-level diplomatic consultation among representatives of the major powers. In the words of one historian, the concert “had a deeply conservative sense of mission. Based on respect for kings and hierarchy, it prioritized order over equality, stability over justice.”9 It was hardly the only time in history when a great shock—in this case, revolution in France and the fear it might spread—changed collective behavior. And that is what happened. And for all the problems of the nineteenth century, it compares well in many ways with the century that followed.

Indeed, it was not until the late nineteenth and early twentieth centuries that we witnessed wholesale breakdown of the Concert of Europe, and with it the Westphalian order. (The midcentury Crimean War between Russia and both Great Britain and France was a struggle more about who was to control territory of the fading Ottoman Empire than about anything fundamental.) What occurred were two dramatic developments. First, there arose new nation-states (most�prominently Prussia, the forerunner of Germany) unwilling to �accept the territorial and political status quo that had developed. They rejected the legitimacy of existing international arrangements. And they were strong enough to act. The balance of power no longer precluded action or deterred them from �acting. This last point suggests the second development that so shaped the history of this period. Many of the entities that had dominated the world for centuries were failing and in some cases literally falling apart. This was true of Austria-�Hungary, Russia (soon to be ravaged by revolution), and the Ottoman Empire. The United States was only decades out of its�civil war and was focused on continental expansion and �industrialization. Europe seemed a long way off. All these changes gathered momentum in the second half of the nineteenth century and reached their climax when in the early part of the twentieth century the world experienced the grim effects of a wholesale breakdown of order.

Some of this history can be explained by the limits of the�ability of orders to endure in the absence of great diplomatic�dexterity. The Congress of Vienna, which led to the post-�Napoleonic settlement and subsequently to the Concert of Europe, succeeded in no small part because it involved individuals of rare diplomatic skill. For this reason Castlereagh, Metternich, and Talleyrand, respectively the ministers of Great Britain, Austria-Hungary, and France, remain significant historical figures.

An optimist would take a moment here to point out the power of human agency, the quality of diplomats, to affect the course of events. This was and remains true. One reason why the Concert of Europe got off the ground and lasted for as long as it did was the ability of some of the people involved in its creation. One factor, though, increasing the odds that a world order will survive is that it not require talented statesmen, the supply of which is likely to be insufficient. One has to assume that as often as not individuals of mediocre or poor skills will enter into positions of responsibility. When it comes to order, something robust and resilient is preferable to dependence on diplomatic dexterity. Indeed, one explanation for why order broke down in the early twentieth century is that Prussia, forged by the extraordinarily talented Otto von Bismarck, came to be led by individuals who inherited a powerful state but not the wisdom for managing its relations with its neighbors.10

Most helpful customer reviews

31 of 32 people found the following review helpful.
Haass also prescribes substantive solutions for steps both governments and civil societies can take at coming up with better and
By Andy Laub
In a "World In Disarray" Dr. Haass gives a comprehensive and thoughtful overview of the old international world order and how we got where we are today. Additionally he offers an objective analysis, covering all the hot spot areas from Russia, the Middle East, China and nuclear nonproliferation. Haass also prescribes substantive solutions for steps both governments and civil societies can take at coming up with better and more feasible foreign policy decisions for a more complex as he refers to it "world order 2.0." A badly needed breath of fresh air for a new American foreign policy and a must read for global citizen.
Andy Laub- Young Professionals in Foreign Policy, Director.

7 of 7 people found the following review helpful.
Couldn't Be A Better Book For Our Times
By Amy A.
I'm not one to write book reviews. However, this work of literature is a must for anyone who cares about stability, and mores, in U.S.A. and abroad; as you will (likely*) not have the latter without the former.

'A World in Dissaray' includes a rich history of global events and accords that have shaped the - relatively stable - order we've experienced Post-WW2. His commentary on economics and assertions of what USA can do to strengthen domestic policy, is mostly spot-on, IMHO.

Listen, it was so good even a libertarian liked it. Not that it's full of libertarian ideology, in the least. But, Richard Haass does an exceptional job, at writing a compelling argument. Kudos.

*I'm contrarian. Can't help it.

3 of 3 people found the following review helpful.
A prescription for our foreign policy from America's establishment
By Mal Warwick
It would be difficult to identify anyone other than Henry Kissinger who represents the tradition of America’s bipartisan foreign policy more fully than Richard A. Haass. Haass is the longtime president of the Council on Foreign Relations, which comes as close as any institution to sitting at the center of gravity for the internationalist wing of the Eastern establishment. For decades before he began at the Council, he cycled in and out of senior policy planning and diplomatic posts in government and a series of positions in academia and other establishment thinktanks. If you want to get a handle on the conventional wisdom that emanates from that elite group of scholars and officials, read Haass’ latest book, A World in Disarray: American Foreign Policy and the Crisis of the Old Order.

The three phases of international relations

Haass’s abbreviated survey of international relations in the modern world divides history into three phases. The first began with the Treaty of Westphalia in the mid-17th century that ended Europe’s Thirty Years War and established the primacy of the sovereign state. That phase lasted through the end of World War II, which upended world affairs in profound ways. The second phase lasted from 1945 until the end of the Cold War in 1989. This was a period of superpower supremacy, the absence of large-scale conflict, and unsurpassed economic growth. We now live in the third phase, a troubled “world in which centrifugal forces are gaining the upper hand.”

Haass argues that “the past twenty-five years since the end of the Cold War constitute a break with the past . . . [S]omething very different is afoot in the world.” He characterizes the current state of affairs as “disarray.” In his view, the word “captures both where we are and where we are heading.” This is not the multipolar world so many observers write about. It’s a nonpolar world. “Power is more distributed in more hands than at any time in history,” Haass notes. “The same holds for technology.” In Haass’ view, the multiple uncertainties and dangers of today’s world require that the United States be more assertive on the world stage. He “argues for the stationing of military forces in and around areas that either China or Russia might claim or move against, something that translates into maintaining increased U.S. ground and air forces in Europe and increased air and naval forces in the Asia-Pacific.” Other observers might see greater reliance of this sort on the U.S. military as a prescription for bankruptcy at home and dangerous conflict abroad.

A new approach to foreign policy

The essence of Haass’ thesis is that the concept of state sovereignty established by the Treaty of Westphalia is no longer adequate in a nonpolar world. Today’s international landscape is no longer dominated either by the major powers or exclusively by nation states. Nonstate actors, including international and regional organizations, corporations, terrorist groups, some major cities, and numerous other entities all play roles in setting the direction of civilization today. Haass contends that “the post-World War II order—effectively World Order 1.0—provided only a degree of structure for the international system once the overlay and discipline of the Cold War order disappeared. Just as important, the world was not well positioned to deal with the diffusion of power that was to come.”

In this much more complex environment, U.S. foreign policy must be directed toward establishing a new concept in world affairs: “sovereign obligation.” Haass views this as the ideal operating principle in contemporary international affairs. Under sovereign obligation, every state would be expected not merely to tend to its domestic affairs but also to play a role in addressing the multiple global challenges that bedevil us today: nuclear proliferation, climate change, terrorism, restrictions on trade, threats to global health, the vulnerable state of international finance, and the abuse of cyberspace. (The author’s laundry list does not include drug trafficking.)

It’s difficult not to see this prescription as wishful thinking. Another failing in Haass’ analysis is his failure to distinguish between global threats that are existential and those that aren’t. Any dispassionate observer of climate change, nuclear proliferation, and the growing potential for pandemics would surely agree that any of these three challenges could be fateful for civilization if not for the human race. The other challenges in Haass’ list, while serious, do not rise to the same level. Global trade could constrict, terrorism increase, the international financial system seize up, and cybercrime and cyberwarfare proliferate, but it’s highly unlikely that any of these events would end human civilization, much less lead the human race to extinction.

“What is to be done?”

Haass makes clear his belief that yesterday’s foreign policy is not adequate for “a world in which not all foes are always foes and not all friends are always friendly.” He advances a detailed set of recommendations, not just for U.S. foreign policy but for changes in domestic policy as well. His advice about foreign affairs is, as anyone might expect, highly nuanced. On domestic affairs, his approach is less so. It’s hard to distinguish from traditional moderate Republican policies. For example, he advocates both decisive action to reduce the nation’s debt and increasing the Pentagon’s budget. To enable all this, he favors raising the retirement age, reducing Medicare and Medicaid, and eliminating tax deductions for home mortgage payments and charitable deductions. Wishful thinking again, given any reasonable expectation for Congressional action.

A nonpartisan analysis?

At the outset of A World in Disarray, Haass claims that his analysis will favor neither Republicans nor Democrats. It doesn’t come across that way. It’s true that he is pointed in his criticism of the decision to invade Iraq and of the conduct of the war that followed. But his discussion of President Barack Obama’s foreign policy is savage. Haass reserves his most hard-edged criticism for Obama’s decision to accelerate the drawdown of troops from Iraq, the conduct of the war in Afghanistan, the outspoken support for the Arab Spring, the intervention in Libya, and the decision not to attack Syria after Hafez el-Asaad crossed the “red line” by using chemical warfare on his citizens. This is not a nonpartisan analysis.

About the author

President of the Council on Foreign Relations since 2003, Richard A. Haas has also served as a senior advisor to President George H. W. Bush and to his son, President George W. Bush, as well as in a number of other diplomatic and scholarly posts. A World in Disarray is his 12th book.

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